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Consignment Store Shopping in Auburn and Opelika Alabama

Consignment shopping has been thriving for the past few years.  A struggling economy and the fear that comes along with it have driven people to discover a brand new way of shopping that is better for families, communities and even the environment.  When our economy begins to thrive again, we will all be better off by the things we have discovered through this difficult time.  One of those discoveries is consignment store shopping.

At New Leaf Consignment Galleries we encourage our consignment community to “Live for Less” so they can give more to the things in life that really matter.  We are proud of our industry and what it does to counter the materialistic culture of 21st century America.

Here are some great consignment shops right here in our neck of the woods that will help your family explore frugal living.

Fringe

consignment store fringeFringe currently has 2 stores and is just about to open a children’s shop.  Fringes tagline is “…changing shopping habits one closet at a time.”  What a great vision that will make a difference in the families in our area.  Their downtown Opelika store adds 200-300 new items on their sales floor EVERY DAY.  The downtown location carries brands such as Ann Taylor/Loft, Coldwater Creek, Chicos, Coach, Louis Vuitton, Talbots, Steve Madden, Cache, Antonio Melani, Sigrid Olsen, Lauren, Kenneth Cole, J Jill, Cabi, Boston Proper, Carlisle, BCBG, Karen Kane, Miss Me and many more.  Visit them at 125 S. 8th Street in Opelika.

Just next door to our store you will find another great option from the Fringe brand.  Fringe the Boutique offers more trendy and designer names such as Chinese Laundry, Banana Republic,True Religion, Bebe, Loft, Anthropologie Brands, Michael Kors, Nanette Lepore, Boutique Brands, Rock N Republic, Lilly Pulitzer, Gianni Bini, Free People, BCBG, J. Crew, Hobo, Seven, Express, Lucky, Cabi, Antonio Melani, Loft and many more.

Visit the website of the the largest ladies consignment stores in Lee County.

Moms and Tots

consignment store moms and totsJust a few doors down from Fringe Downtown you will find a cool place to consignment shop for children’s items.  Moms and Tots carries all types of items for the children in your home.  They offer an alternative to buying new clothes every few months for kids that grow like weeds.  Moms and Tots has an active facebook page and a great website showing some of their current items in the store. Find the store at 231 S. 8th Street in Opelika.

Sydney’s Consignment

consignment store sydneysFor the downtown Auburn frugal shopper there is Sydney’s on Gay Street.  Sydneys offers the finest modern designer labels and couture classic vintage clothing.  Sydney has been in the vintage clothing business for 9 years.  She has now expanded into the consignment clothing business.  She is also the premier provider of costume party rentals in the Auburn area.  Check out consignment in downtown Auburn. Find the store on Gay Street just South of Burger King.

New Leaf Furniture Consignment Galleries

consignment store new leafAt New Leaf we offer high end furniture and home decor and also a selection of vintage and antique items.  We are committed to helping our consignment community “Live for Less” so they can give more to the things in life that really matter.  You will find high quality furniture at 40-80% off retail prices.  We show most of our inventory online and keep our facebook page updated daily.  We are the only furniture consignment store in Auburn and we work hard to provide a tremendous alternative to retail shopping. Find us at 2436 East University Dr in Auburn.

 

We believe in shopping consignment and are certain that once you discover this environmentally sound frugal way of shopping you will never go back!

 

Consignment Furniture: Tips for Getting the Most out of Your Items

Consignment Furniture. We’ve been in the business now for almost four years at New Leaf Furniture Galleries.  We’ve learned a few things in that time.  There’s been some hard lessons and a few things we’ve found that we actually do right.

consignment furniture tips

consignment furniture tips

One thing I’ve noticed over our time in the consignment business is that there is a huge difference in what people get for their items and how fast they sell.  The difference is not based solely on quality and condition either.  You can maximize your return on a consigned item by using a little common sense.

There are several great websites that can help you.  Check out How to Consign or this article on the national association for consignment stores (NARTS).

Here are a few of my ideas.

Be thoughtful of the season.

This is particularly important in furniture consignnent stores when you can bring anything any time of the year.  It only takes a little common sense to know that outdoor items will sell best in the early spring and fireplace tools will command a higher price in the early winter.  If you can hold onto your items for the right season, why not do so to make a few extra bucks.

A little touch up will push the price upon your consignment furniture.

Dusting and cleaning your items is a no-brainer, but have you considered covering up scratches or cleaning up the fabric.  We see items in our store sell quicker and command a higher price when a little clean-up is done BEFORE the items comes through our doors.  Old English  scratch cover or even a dab of Howards will work wonders and add to your pocket book.

Choose the right seller.

Every consignment seller is not the same!  A higher quality shop with a likeable shop owner and staff will increase your chances to sell and the pricepoint of your items.  Search around.  Don’t be afraid to drive across town.  Make a couple of visits before you pick you favorite shop.  The time it takes to do so will pay off when you drop off your two year old sofa for resale.

A little due diligence will go a long way.

There is nothing on Earth like consignment shops.  I am so thankful that I get to spend my time in one every day!  Take advantage of everything your local shop has to offer and you will be glad you did.

 

Using Mirrors as Art

Finding the perfect piece of artwork for a room can be an almighty task and it can take months to find something that matches the styling, colours and features of the décor and can also be extremely expensive. This is why many people are now considering the use of mirrors as an alternative.

 

Manufacturers have picked up on this trend and rather than simply designing mirrors for their functional capabilities, are now using reflective glass to create stunning pieces of art. Coming in a huge variety of shapes and sizes, the benefits of using mirrors as art are phenomenal. Not only do they reflect the colours of the room, but they also glisten and sparkle if positioned in a way that catches light. They can even create the illusion of space, making a room appear larger than it actually is.

 

Mirrors as art can take many different forms. It may be that the amounts of actual reflect glass used is minimal and it is the frame that creates the masterpiece. Much like a painting or photograph, the correct mounting or framing of a mirror can completely transform the way it appears on your wall.

In complete contrast the mirror may not have a frame at all and could be made from multiple glass fragments (known as multi-facet mirrors). These mirrors are created as works of art from the off-set and can often be commissioned as one off bespoke pieces using a combination of coloured glass as well as plain reflective glass.

 

As mirrors are essentially pieces of glass, they can even be cut so that stunning bevels and patterns are left on the surface of the glass. Meaning it is possible to personalise a mirror with a certain image or name, a concept that has been used in advertising, most commonly recognised on the walls of public houses where the brewer has had their brand etched on the glass.

 

With so much detail and crafting involved, you could be forgiven for assuming that this type of artwork would be costly, but rest assured that as it becomes increasing popular and manufacturers are able to produce large batch orders, in many cases they are cheaper than more traditional center pieces.

 

The beauty of using a mirror as art though is that the main image is constantly changing as the reflection changes – contemporary art at its greatest!

 

Most people use art to create a feature or focal point within their room, for example using paintings, canvases or photographs in a hallway, on the wall above a bed, over a fireplace or mantle piece and this is exactly where a mirror could take pride of place. Much like ‘photo walls’ and more conventional art forms, mirrors do not have to be used in isolation and using more than one mirror can create intrigue or a larger display.

What’s more, if you decide to change the colour scheme of your room, in the majority of cases you would need to buy new artwork to match, whereas with a mirror it would simply reflect the new pallet.

 

So, next time you redecorate; why not consider using mirrors as art. With a huge variety of shapes, sizes and ‘topics’, it could make finding that perfect piece of artwork a whole lot easier and is certainly more accessible.

There is a huge selection of large, glass framed and over sized mirrors available at

 

Or why not consider a row of smaller mirrors, this will have the same reflective effect as a large mirror but may suit your decor better.

Article Source:

http://EzineArticles.com/7127606

Eastlake Furniture Once Over: 1890 Eastlake Chest

eastlake furnitureHey Guys!  Welcome to our educational feature where we give a piece of inventory the once over so that you can learn more about the stories of the stuff that ends up in our store.  Each “Once-Over” will have a video at the end to give you a visual of what we share in this article.

Today at New Leaf we got in a beautiful piece of Eastlake furniture: a four drawer marble top chest.

Charles Eastlake was an English architect from the late 19th century;  his importance to furniture design can not be underestimated.  In response to the over decorated and elaborate Victorian Era, Eastlake  designed furniture that was simple in style and functional in use.  The Eastlake period actually marks the end of the Victorian period and is often referred to as Late Victorian.  This bold response was the catalyst that caused the pendulum of furniture style to swing to a simple straight line functional design, and  the Eastlake name became a furniture design era.  In England, the Eastlake period is considered to be from 1870-1890.  In America, the periods run about a decade later, so Eastlake style furniture was most popular from 1880-1900.eastlake furniture

This particular piece can be dated between 1890-1900.  There are a few clues that let us know the approximate date.

Circular Saw Marks:

The saw markings on the wood in this piece of furniture tell us that the piece was built after 1860 when circular saws were invented.  Anything prior to 1860 will show straight line marks indicating the use of a handsaw.  Check drawer surfaces and larger pieces to look for circular saw marks– the back of a furniture piece can be particularly helpful in determining sawing techniques.

eastlake furnitureSymmetrical Parts and Cuts:

The symmetry that we see throughout this piece in both the art and the structure give us a clue that this piece was machine-made in a factory.  Anytime you see inconsistencies in art, joins or matching pieces you can assume that the piece was hand cut.  The unquestionable proof of this will be covered later in the dovetail section, but even without examining the dovetail it is obvious that this piece is machine cut.  Factories that mass-produced Eastlake style furniture popped up in America in 1890 and continued until 1910.  This style was massed produced but was short-lived.  A factory that produced the earlier Victorian style furniture would have had to completely retool their shop in order to transition to the straight lines of Eastlake.

Pin and Cove Dovetail:eastlake furniture

This is the tale-tell sign of the date of this piece of furniture.  The drawers of this piece are joined with a pin and cove dovetail.  This joining technique was the very first dovetail for factory manufactured Eastlake furniture.  It only lasted 10 years and one can be quite sure that the date of a pin and cove joined Eastlake drawer is between 1890 and 1900.

 

Other Notes:

Once I determine the approximate age of a piece of furniture I begin to look for modifications and repairs.

This particular piece of furniture has several clues of repairs and modifications.

Hardware

One of the first things that antique furniture buyers look for is original hardware.  On the Eastlake furniture the drawer pulls were usually rectangular with some decoration.  There are two ways we can tell that this piece does not have its original hardware.  One is style.  The hardware on this chest has a batwing style drawer pull.  Batwing would not have been used with Eastlake furniture.  Also, we can look at the screws used in this drawer pull.  This hardware has Phillips head screws.  Phillips head screws were not invented until 1934 and was not used en mass in furniture making until the mid-1940s.

Drawer Repairs and Additional Supports:

Another place to check for repair is in the drawers.  The bottoms of the drawers in Eastlake furniture often break or slide forward and back.  This particular piece has glue residue on all the drawer bottoms indicating repairs.  In addition, there is an added piece of wood supporting the raised back of this piece with Phillips head screws.

Although this is a beautiful piece of furniture, it does show signs of repair and has some parts, including hardware, that is not original to the piece.

If you enjoy the Eastlake style and are looking for a functional chest that has the charm of the old world, this piece is for you!  The most important aspect of a piece of furniture is that it fits the needs of the owner.  At $295 this is a great way to experience life 100 years in the past while having an economical solution to a storage problem.  It is not necessary for furniture to have all the qualities of a museum grade piece in order to meet the needs of its new owner.

Buying less than perfect period pieces is a great way to “Live for Less so you can Give More to the things in life that really matter.”

Brilliant Cut Glass Primer

Glass products have served the human race for about 3,500 years.  Some of the most beautiful pieces are those that are decorated by cutting.

What is cut glass?

According to the American Cut Glass Association , “Cut glass” is glass that has been decorated entirely by hand by use of rotating wheels. Cuts are made in an otherwise completely smooth surface of the glass by artisans holding and moving the piece against various sized metal or stone wheels, to produce a predetermined pleasing pattern. Cutting may be combined with other decorative techniques, but “cut glass” usually refers to a glass object that has been decorated entirely by cutting.

The period of cut glass from 1876 to 1917 in America was called the Brilliant Period, and brilliant it was!  The brilliant cut glass is a purely American art form.  There are dozens of patterns and brilliant cut pieces are often signed by the artist.

The Brilliant Cut period saw it’s decline in the early 20th century for a number of reasons. Since true cut glass is entirely hand-decorated, high labor costs made it extremely expensive and out of reach to all but the affluent class. Intense competition, both domestic and from abroad, and the introduction of inexpensive pressed glass in patterns imitating cut glass, forced cost cutting short cuts on the dynamic, new American industry.  (http://cutglass.org/articles/art11.htm)

Stop by New Leaf Galleries before June 1st to see this beautiful Brilliant Cut Ice Bucket. 

Find more on American Brilliant Cut Glass on the following sites: 

In recent times cut glass reproductions have been harder to distinguish from the Brilliant Period of the late 19th century.  Diamond cutting wheels have allowed glass makers the ability to create very beautiful pieces with half the labor involved 100 years ago.

Here is an excerpt from “Ruby Lane” regarding identification:

The new mass produced cut glass can generally be detected by four main features: wheel marks, shapes of teeth, overall glass quality and chemical composition of the glass (as tested by ultraviolet light).

Wheel Marks: Rough cuts on authentic ABP cut glass were made with an abrasive slurry dripping on steel or iron wheels. Those first cuts were then smoothed at stone wheels and finely polished with wood and cork wheels. Eight-inch bowls might take 10 to 20 hours of labor. New cut glass, by contrast, is mass produced with high-speed diamond wheels cutting 10 to 20 times faster. Smoothing is generally eliminated in present day reproductions with pieces being polished after the first cutting. Eight inch bowls may take as little as 1 to 2 hours to complete.

Modern diamond wheels leave virtually continuous unbroken parallel ridges and grooves the length of the cut. In the vast majority of new cut glass, these marks are never polished out and remain in the finished piece. These marks can usually be seen by the unaided eye but are especially obvious with the aid of a magnifying glass. Virtually all traces of wheel marks have been polished out of ABP cut glass. If there are some faint lines present in ABP, they tend to be short and broken because they are the result of multiple passes with the old wheels, not long continuous passes as with diamond wheels.

Teeth: Authentic ABP cut glass was made for dining and entertaining and logically had to withstand reasonable amounts of handling, washing and storage. In contrast, almost all reproductions are made as decorative objects and their construction is often illogical with the function of the original piece they imitate. This is most obvious with the teeth on cut glass reproductions. Virtually all new teeth come to extremely sharp dagger-like points. Tips of authentic ABP cut glass teeth were intentionally rounded or squared off as part of the finishing process. Vintage teeth are blunted for two very practical reasons: safety and appearance. Sharp points on teeth would knock off at the slightest touch with a ladle or serving spoon, sending chips of glass into the strawberries or ice cream. After one or two uses, the chipped teeth would look shabby and unattractive.

Overall Quality: Pinhead-size and larger bubbles are rarely, if ever, found in ABP cut glass, but are fairly common in new cut glass. Large bubbles in old blanks caused the piece to be discarded, or the pattern was deliberately cut over the bubble to hide it. Patterns should remain within logical boundaries. It’s common in new cut glass to find overlaps in patterns where elements of one design intersect, overcut, or run over elements of another design. Rays of starbursts and arms of pinwheels, for example, frequently touch neighboring stars and pinwheels in new cut glass. In some new pieces, entire segments of the pattern run off the edge of a blank due to poor planning. Grossly out-of-round circles, stars with wobbly irregular points, unbalanced patterns, and any obviously misaligned cuttings are all warning signs of a reproduction.

Ultraviolet Light Testing: Virtually all authentic ABP cut glass fluoresces candy apple green or yellow green under long-wave (365 nanometer) ultraviolet light, more commonly called black light. Small black lights, six inches in length or less, or of low wattage may only fluoresce thicker areas of glass such as rims and handles. Larger lights—12 to 18 inches—will fluoresce the entire surface of all but the largest pieces. Generally, the darker the room, the more obvious the fluorescence but absolute darkness is rarely necessary to observe the effect. Be aware, though, that 19th and early 20th century cut glass from other countries may or may not fluoresce.

Marks: Never base your judgment of age or quality on cut glass marks. Fake and forged marks, especially acid stamped marks, are so widespread that all marks on cut glass should be ignored. Faked marks are widely found on cut glass reproductions as well as on genuinely old but originally unmarked cut glass.

Although all the tests described above are important, never rely on any one single test. Consider all the factors—wheel marks, teeth, overall quality and black light results—together before making a judgment on age or authenticity. Unless specifically stated otherwise, all references in this article to refer to cut glass of the American Brilliant Period (ABP).

 

 

 

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